Want to learn how to present Hyperscore to your students? We’ve done all the work for you! In the video trainings, I present each Element of Music. At the end of each video, the students/clients will learn how Hyperscore allows them to use the Elements. They will write a Rhythm, Melody, and Harmony, choose Dynamics and Tone Color and create Form. In other words, WRITE MUSIC! Use your own favorite way to present the Elements, or email me for a copy of the modules. All modules were designed for junior high or high-school non-musicians. But, you can personalize the videos for the age of your students/clients and change the definitions to fit your facility or school’s user-friendly music vocabulary. Contact me with any questions or to get your free copy of the modules: firstname.lastname@example.org
Will the 7th grade General Music students write a “Hot Cross Buns” composition or a movie theme like “Star Wars”? Iowa’s Northwest Junior High is our first school to have students writing music this week with our web-based Hyperscore! The teacher introduced the Rhythm module Tuesday and students wrote 1-3 rhythms on Wednesday. I had the thrill of Zooming with two students and the teacher as we practiced saving scores. Our Director of Technology is perfecting the system for saving work to the cloud but the desktop save is working well in the meantime. Yesterday, students completed the Melody module and today they are writing 1 easily recognizable melody and another 1-2 original melodies. Wishing them a great time being creative with Hyperscore!
If you want any information about our web-based Beta Model, please contact me (Director of Education) at:
Have you been wondering if Hyperscore is still out there, waiting to allow your students or clients to easily compose music? Elementary and junior high students in Iowa and Kansas will be the first of our Beta testers to begin instruction with the NEW WEB-BASED VERSION of Hyperscore in early September 2021. I am excited to hear what the students think of the program’s tools and what creativity is unleashed! We hope to post student examples and teacher comments as the phases progress. If you are interested in piloting, please contact me (Director of Education) at email@example.com. I have a recorded video of the 7.23.21 training and 4 teaching modules that you can personalize or use as is. Let’s make music together!
Hello! I am the Director of Education with New Harmony Line. I began this new career in June after retiring from 32 years of teaching General and Adaptive Music in the Iowa City Community School District. I taught K-9 for 13 years and 7-12 my last 18 with my first year as a long-term substitute teacher working with students with Behavior Disorders. My Bachelor’s Degree from the University of Iowa was in Music Education/Music Therapy and I have a Master’s Degree in Music Education specializing in Music Therapy and Behavior Disorders. I hope, with my previous experience, to support you with your students or clients of any age, interest or ability level!
I piloted the first model of Hyperscore in 2003 and have been teaching my students to make music with the software ever since. I was very excited to hear about the web-based program–if you have used Hyperscore before, you will love the updates Chief Technology Officer Peter Torpey has made to freshen the platform and extend it’s educational capabilities while still keeping the user-friendly graphic interface Hyperscore is known for!
Enjoy this website or contact me for information about Hyperscore or being a part of our Fall 2021 web-based Beta Model Pilot Project. You can receive training via Zoom or use our recorded 7/23/21 training. You will also receive 4 modules to introduce the Elements of Music through Hyperscore including Rhythm, Melody, Harmony and Dynamics and Form and Tone Color. Personalize the videos, the language, or the wording for whatever age/population you are working with.
Looking forward to helping you and others make music!
Hyperscore is BACK! As of today, we have teachers and music makers in Massachusetts, Iowa, Texas, Canada and Italy preparing for the Beta Model Pilot starting in August and into the spring of 2022. Are you interested in receiving the 7/23 videotaped training or attending a Zoom workshop for training? Would you like to receive the modules created to introduce your end-user to Rhythm, Melody, Harmony and Dynamics and Form and Tone Color through Hyperscore? Contact Director of Education, Cecilia Roudabush, for more information:
I look forward to helping you to make music for yourself and/or with others!
New Harmony Line will be piloting the Beta Model of the Web-based version of Hyperscore in the Fall of 2021 with music, technology and special education teachers, a Girl’s Choir leader and her directors, two Strings teachers, a 6th-grade teacher who has her students write musical accompaniments to their poems and a speech pathologist. Director of Technology, Peter Torpey, has updated the workspace, added new tools and features and made Hyperscore an even more user-friendly interface for anyone with access to the internet who wants to create music! Modules for using Hyperscore and teaching the Elements of Music (Rhythm, Melody, Harmony, Dynamics, Form and Tone Color) have been designed for use by the Pilot Participants. Contact Director of Education, Cecilia (Cece) Roudabush, for training, questions or pilot support:
Hyperscore has been used by children around the world to compose original pieces. Their compositions have been performed by musicians, from rock bands to major orchestras. Check out this collection of some of our “greatest hits,” each one a wonderful expression of each child’s spirit. We can’t wait to release the new version of Hyperscore for the Web!
We have exciting updates about the future of New Harmony Line and Hyperscore. Until now, Hyperscore has been compatible only with the Windows operating system. Over the past year, we have been hard at work developing a platform-independent web-based application. Our new version of Hyperscore is on its way and we can’t wait to share it with you soon.
This summer, we will be holding training sessions for teachers who would like to learn about using Hyperscore for the Web in their classrooms. If you are interested in signing up, please contact us.
If you would like to support our mission to put this powerful music composition technology into the hands of school kids, please consider making a tax-deductible donation. Hyperscore for the Web will also be available to the general public, with sales revenue going to support our educational mission.
We are grateful for the enduring engagement from educators, youth groups, orchestras, and universities, and cannot wait to bring more people together. We are excited to expand our community of people who enjoy composing, want to share their creations, and connect over a love of music.
Thank you for joining us.
– June Kinoshita, Executive Director
A Toronto Symphony is the first of composer Tod Machover’s City Symphonies. It was commissioned by the Toronto Symphony Orchestra, who premiered the piece in March 2013. With this project, Machover – who is Muriel R. Cooper Professor of Music & Media at the MIT Media Lab – “rethought the symphony as a community event” (Musical America), a portrait of a place created for and by the people who live there.
As Machover described when he launched the project publicly in 2012, the goal was to create a sonic portrait of Toronto by “listening” to the city in order to discover its special features, by inviting all Torontonians to collect and submit their favorite sounds of the city and also to create original musical compositions using the Media Lab’s Hyperscore software, and then to engage in online and in-person workshops and activities to help shape the composition itself. The result produced a model which Machover and his team have brought to cities around the world. The MIT Symphony Orchestra (MITSO), led by Evan Ziporyn, programmed A Toronto Symphony for a concert that was to have taken place on March 13, 2020.
For this occasion, Machover revised the composition and also invited the student players of MITSO to collaborate with him to create a new section of the piece, now called “MIT Interprets Toronto”, a new twist on the City Symphony model. Another surprise was in store for the project when it was announced that MIT had to shut down – and students needed to leave campus – on March 13th, the very day of the concert, which needed – of course – to be cancelled. However, the MITSO players voted to come in for what would have been the dress rehearsal on the evening of March 12th, to play together for one last time before dispersing, and to record the music for the concert.
This video is of that March 12th recording, filmed by Peter Torpey, Paula Aguilera and Jonathan Williams. Torpey – who created the original visuals for the Toronto premiere – combined live footage of MITSO with collected visuals from Toronto, and added evocative new material as well. The video of Toronto’s CN Tower in the Toronto Dances finale is live footage from the 2013 premiere, when Machover, Torpey and team synchronized the tower’s LED lighting to the orchestral performance which was broadcast by the CBC.
Of this video performance, Tod Machover says: “Although we were not able to give the public performance of A Toronto Symphony as planned, it is especially meaningful to have this documentation of the piece that represents months of devoted work by MITSO and Evan Ziporyn. I am delighted that these young musicians were able to perform this difficult music so well. I’m also pleased that the piece ’transposed’ smoothly from Toronto to Cambridge (complete with a new section), and that orchestral music, electronics, “found” sounds, and multilayered visuals are combined just as I originally imagined them.”
Reporter Andrea Shea delves into the creation of Tod Machover’s newest symphonic work, “Philadelphia Voices.”
From the famous Mummers’ New Year’s Day Parade to the sizzling of celebrated cheesesteaks, acclaimed U.S composer and inventor Tod Machover has been collecting sounds for his latest piece ‘Philadelphia Voices,’ a composition inspired by the heritage, sights and sounds of Philadelphia, the city known as the birthplace of American democracy.
Then in his barn studio, next to his Boston home, he manipulates these hours and hours of recording, crafting them into the music and soundscape for the piece. We also have behind the scenes access as the composition receives its premiere performed by the Philadelphia Orchestra and local choirs.