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Hyperscore origins

IEEE Article link profiling Hyperscore writers Morwaread Farbood and Egon Pasztor who were students in the Opera of the Future Group at M.I.T. Media Lab and Kevin Jennings who was a PhD candidate at Trinity College Dublin

Take a peek “behind the curtain” at the history of Hyperscore by visiting the Resources page on our website under “Hyperscore: In-depth“. With New Harmony Line’s upcoming launch of Hyperscore as a web-based, user-friendly composition tool, we think it is important to acknowledge the students who wrote the program, Morwaread “Mary” Farbood and Egon Pasztor, who were in the Opera of the Future Group at M.I.T. Media Lab, and Kevin Jennings, a PhD candidate at Trinity College Dublin. Please enjoy a look back at 2004 when the original Hyperscore creators were profiled in this IEEE Computer Graphics and Applications article.

Here they write: “The fundamental idea of Hyperscore is that anyone can perform two key creative activities without musical training: compose short melodies and describe the large-scale shape of a piece. Providing graphical means to engage in these two activities forms the basis for Hyperscore‚Äôs functionality.” This powerful insight by the original creators explains why Hyperscore has enduring appeal and remains unique to this day among music technologies for education.

Currently, Egon is Founding Engineer of Relyance AI. Mary is an Associate Professor and Associate Director of Music Technology at NYU. Kevin is Global Director Talent Development at Study Group, an international education provider.

IEEE is the not-for-profit Institute of Electrical and Electronics Engineers with the mission of “advancing technology for humanity”.

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